Thursday, December 24, 2009
Thursday, August 20, 2009
2009 is proving to be the worst year for hip-hop record sales ever. (I think I heard with digital downloads, 2009 has just missed being the worst year for overall music sales so far, but there's still a few months left for that to change.)
I try not to be like these other hip-hop stans, watching first week sales like baseball standings. But while I try to ignore bad sales news, I had to laugh when Jim Jones bricked with 43k his first week out. Then my interest was sparked when his former boss, Cam'ron Giles (a god MC in my opinion) came back from retirement a few months later...and only sold about 43,300 HIS first week. With a good album! (Check it again, haters.)
Dip Set members aside, though, established stars have been doing better than new acts. Eminem gets this year's Lil Wayne Award for selling music on a pre-broadband level. Jadakiss, Fabolous, Officer Rick Ross, all did respectable numbers. DOOM actually sold more than anyone expected.
But the freshman class dropping 2009 debut albums has underperformed all the expectations. Asher Roth (see previous too-long rant) sank softly with less than 70k sold his first week. Guess "Lark On My Go-Kart" wasn't a good followup for that Weezer sampling singalong. This dude Dorrough has MTV Jams AND the radio station on fire with his single "Ice Cream Paint Job," but when he dropped last week? Scanned a trifling 12,600 copies.
So the news that Slaughterhouse only sold 18-22k the first week out shouldn't surprise me. These guys get no radio play or label promo. On the other hand, they got the internet going nuts. But once again, as with Asher, the hard numbers prove internet popularity is worth little when it comes to sales.
Internet popularity + some residual fanbase = decent results (Jadakiss etc.) Or, internet popularity + a label push gets OKAY returns (Asher Roth). But when you have no movement whatsoever aside from broke bloggers? These are approximately how many of them turn out & pay up. I would guess there are some heads, like me, who download music but then turn out to see the music live. Show money is the real money, right? Cash in rappers' hands, no label recoup BS to worry about?
This may not work as well for Slaughterhouse because none of those dudes has sex appeal, apart from possibly the rapidly aging Joe Budden. Many girls who claim to be "real hip-hop heads" only want to see dudes perform they find attractive- my girl dragged me to a Cudi show, and Wale gets that kind of female love too, but on the other hand, that same chick literally recoiled in disgust when she saw Joell Ortiz's face on a flyer. She asked me "Is that Sinbad's fatter cousin?" (No shots!)
They do sell out shows on the East Coast, though, don't they? It would be good if Slaughterhouse was economically viable, despite these tough times. That album is a beast, and we need more real boom bap in the hip hop universe. Sean Price, Jada & the other old heads are good, but we need new new...even from "new" old head supergroups like Slaughterhouse & the Undergods. You guys think the Slaughterhouse cats are eating? At an income level approaching middle class? I hope so.
Thursday, April 30, 2009
Asher Roth: The Hip-Hop John Rocker!
A Semi-Semitic Drop
"All these black rappers? African rappers? Talking about how much money they have? Do
you realize what's going on in Africa right now?"
-Asher Roth, Associated Press Article, April 28th
can i just say, by way of introduction, that as one of the many jewish/cracker/hiphop heads in the Lurkforce, i have always disliked asher roth.
yes, he can spit. but only now and then. he drops a respectable 8 bars of wordplay roughly once every 4 songs.
most of his beats are wack. (slick rick joint aside. yes i too love weezer.) his choice of flows to match the beat is also poor.
he keeps giving interviews where he defends biting em's flow by implying he's only the second white dude to ever attempt a hip-hop career. like, "i sound like em cuz i'm white, let another white rapper get over!"
ORLY? here's a short list of white rappers with flows and rhymes WAY better than A. Roth:
Eminem, Everlast, El-P, Remedy (Wu Tang), Sage Francis, Slug, Eyedea, Aesop Rock, Ill Bill, Bubba Sparxx, MC Serch, Mac Lethal, Buck 65, Classified, Paul Wall, CAGE (the original for eminem's xerox), Hot Karl, Edan, Paul Barman. just off the top of my head.
.....they had a whole show of crackerspittin on VH1, remember?
every bit of white rapper shtick was played out by those dudes well before Mr. Roth joined the industry. Paul Barman in particular patented the jewish college kid rapper with an overactive vocabulary thing.
so yeah, forget Em, ash is in a very crowded lane, and like all the other dudes i mentioned apart from Em, he's hitting the wall.
okay. so I already can't stand the guy. now he's lecturing people? black people? his fellow rappers? he called them AFRICANS?
i'm a jew and only slightly less pale than dude, but i grew up on the south side of chicago, and from there I moved to baltimore city. mainly because I stay broke, I've always lived in black/latino/mixed areas, and one thing you learn as a fishbelly in the hood is, don't discuss other folks' race or nationality.
it's bad enough i get a free pass from cops, employers, and other racist authorities. white don't get to talk about other nationalities unless we are asked first. even then not really.
so ash? from one vanilla hebe hip-hop head to another, please, from now on, when you do press, just speak on your music. i've read your interviews. you come off badly when you discuss the general culture. it's not your fault. you're sheltered/from the burbs, white, rich, and 23. you need more life experience. until then, nobody wants to hear your take on racial relations. I promise.
the Braves had a relief pitcher named John Rocker, back when you were 13. i'm guessing you never heard of him. you seem like a lacrosse player to me. sports illustrated interviewed him for a feature. "do you like pitching in new york?" they asked.
his carefully thought out response: "The biggest thing I don't like about New York are the foreigners. I'm not a very big fan of foreigners. You can walk an entire block in Times Square and not hear anybody speaking English. Asians and Koreans and Vietnamese and Indians and Russians and Spanish people and everything up there. How the hell did they get in this country?"
sure, he was an openly ignorant cracker. but you're almost worse, a walking, talking cliche: the ignorant cracker who wants to enlighten the world with his deep understanding of race relations.
you don't think that's a racially biased attitude, but it is. rocker didn't consider himself racist either.
rocker was gone by the next season. i'm just saying.
Semi-Semitic rant over & out.
Tuesday, March 31, 2009
Every time the man leaks a hot track, or when he dropped that hot mixtape awhile back, I try to put some of my boys on to the lyrical mastery and quirky mystery that is Jay Electronica.
"Hey, check out this cat's new song, he's got some bars!" I will say, or tweet, or IM. (That jawn leaked yesterday, and it's sick for days. Song's called "Exhibit A: Transformations." WTF? I agree.)
"What's the dude's name?" they'll ask, and I mumble..."Jay Electronica." "Jay WHAAA?" is the inevitable response.
The name makes you think he's either a) a trance DJ, or b) one of those horrible jungle MCs you see at raves (no disrespect, J Magik). The only thing good about that name is it rhymes with gay electronica.
And that's only good if you were tryin to battle dude, in that it's funny.
Gay Electronica (lol I assume)
Those who know he's a rapper but ain't give him a listen probably assume his flow is some weak hipster jive, based again off the name. Jay's actually much more of a lyrically gifted, punchline inclined MC with some genuinely weird tendencies. Like 3 Stacks or Mr. West Mr. West. (Both of whom have indulged their weird tendencies way too much in recent memory.)
So I wish he'd change it up. I know Jay and Uncle Murda are both in the same boat here...your name is unmarketable, even as your career starts taking off.
Murda been trying "Uncle M" lately. How bout "Jay Electron?" See, it's still weird, without referencing an entirely different style of music just to confuse people. Better!
But seriously, give that song a listen and tell me he ain't have god MC potential.
And if you want to see just how weird dude can be, check out the strange, trippy video he made for his strange, trippy song "Dimethyltryptamine." Which is a psychedelic drug. I never messed with all that, but the video is what I imagine being on it is like.
Thursday, January 22, 2009
"Chris, I owe it all to Head Of State...you inspire me, son! (pause)....NAHHHHH. RIP Bernie tho."
so yeah, I have yet to post my worst/most ridic of 2008. I maybe probably never will get around to that. See previous rant about why lists suck.
but the list i've been making in my mind is hiLARIOUS, so i'm not ruling it out yet.
in the meantime, here's my nomination for best post-inaugural Obama jam to date.
Scram Jones ft. Rhymefest & Saigon - Yes We Can
Rhymefest totally steals it with the first 16, but I expect nothing less. Quotables: "So I flip the script/no more Yes We Can, it's Damn, We Did!" and "Everything higher, prices from Fila to Prada/a bag of weed's the only thing still cost ten dollars." (Sure, that downtown brown...)
Saigitty also gets some rewind action with "No, it ain't just cuz he black we put hope in 'em, Al and Jesse ran but we ain't vote for 'em!" Scram Jones is outshined, sorry dude... he mentions "Because of my convictions, I can't vote..." and the rest is a blur. But the song? Crazy banger. Beat is dope too. Fest, when you gonna bless us with El Che or whatever it's now called?